“爱”和“渴望”都是抽象的概念。而诗人却赋予它们生命和活力。如果写成“我的心中充满爱”,便显得十分平庸。而“爱,膨胀了它的主人的心”,则顿使诗句活了起来,“爱”这个抽象的概念成了有生命的实体,富有动感。同样,“温柔的渴望,像海潮寻找着沙滩,/要把你淹没……”这就使“渴望”这个抽象的概念,具有不可遏制的、强大的生命和活力,使人从形象的比喻中具体感受到这种“温柔的渴望”的强烈和急迫程度。一句不无夸张的“要把你淹没”,将“我”对“你”的“爱”和“温柔的渴望”写到了极致。这种抽象概念具象化的手法,不仅恰当生动地表达了抒情女主人公的情绪心态,而且调动了读者的情感,使读者和“我”一同体验“爱”和“渴望”,感同身受。A photographer accidentally kills a man in self-defense and while retreating into the jungles of an Asian country, is captured by a native tribe who hold him captive, force him into slave labor, and eventually accept him when he marries the chief's daughter. Throughout the whole film, I never felt this was a horror film. It was more reminiscent of a drama, like A MAN CALLED HOR...
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A photographer accidentally kills a man in self-defense and while retreating into the jungles of an Asian country, is captured by a native tribe who hold him captive, force him into slave labor, and eventually accept him when he marries the chief's daughter. Throughout the whole film, I never felt this was a horror film. It was more reminiscent of a drama, like A MAN CALLED HORSE, which I liked better. Ivan Rassimov is pretty good as the photographer, but it is Me Me Lai as the chief's daughter who is memorable and great. I have always been a Me Me Lai fan ever since her breathtaking performance in JUNGLE HOLOCAUST and she is never given credit for her acting chops because she hardly speaks in her films. She is still very talented and charming. Lots of real animal mutilation is the one thing about DEEP RIVER that could make it a horror film, but even that doesn't execute well.